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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2016-04-03</lastmod>
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    <loc>https://www.gawdaffulnationaltheater.company/pep2014</loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2026-01-06</lastmod>
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      <image:title>Gawdafful News - Talking with rafa esparza with Rossen Ventislavov</image:title>
      <image:caption>at the start of a series of conversations at the Performance Art Museum in Los Angeles RSVP: https://www.pamuseum.org/events/</image:caption>
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      <image:title>Gawdafful News - BLESSED WITH SWITCH at Centre Pompidou, 2024</image:title>
      <image:caption>The French world premier of Blessed with Switch will be performed at Centre Pompidou | le 19 octobre à 17h (5pm) as part of Liv®e Live.Post-performance Future.Method/e, a celebration and launch of Marie de Brugerolle’s newly released and groundbreaking book Post Performance Future Method/e The program will also feature artists Cally Spooner and Omar Castillo Alfaro, among other events. In this work, Jasmine Orpilla and Asher Hartman investigate the use of language as. it hacks at and tears apart the feminine internal imaginary. Click here to play a short clip.</image:caption>
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      <image:title>Gawdafful News - Chiron Armand and Asher Hartman talk theater and shamanic practice</image:title>
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      <image:title>Gawdafful News - American Theater features Gawdafful National Theater</image:title>
      <image:caption>Click here to read Janet Sarbanes remarkable pice</image:caption>
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      <image:title>Gawdafful News - X ARTISTS’ BOOKS PUBLISHES GAWDAFFUL PLAYS</image:title>
      <image:caption>CLICK HERE for more information about our first published book of plays!</image:caption>
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      <image:title>Gawdafful News - Gawdafful’s six new films and live performance at The Lab, San Francisco</image:title>
      <image:caption>During the pandemic, we made six short films inspired by psychiatric films of the 1960s to explore the nuanced and shifting relationships we have to our own suppressed violence. We then ate the corpse of our mega-play, The Dope Elf, in a live performance, “Organized Around The Erotics of Doing You In,” performed at The Lab for three nights in 2021.</image:caption>
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      <image:title>Gawdafful News - Neha Choksi’s in-depth article on Gawdafful in Riting.org</image:title>
      <image:caption>Click here to read more. Photo by Ian Byers-Gamber.</image:caption>
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      <image:title>Gawdafful News - Mommy Leaks is Top Ten Best of 2025 in Artforum</image:title>
      <image:caption>Thank you Pablo José Ramírez for naming The Mommy Leaks the Floor as one of the best art experiences of 2025! Click the link above to read the article and all about the other exhibitions chosen this year.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1459222822634-WBDQDKXD1KY6NAQIFURA/pagetopbanners_gproductionsNEW.jpg</image:loc>
      <image:title>Bad Thing (2010) FULL</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.gawdaffulnationaltheater.company/gawdaffulcompany</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1472508522767-YH8BHNXVKJD8B9W5QDMC/Asher_web_diabetes-0329.jpg</image:loc>
      <image:title>The Company - Make it stand out</image:title>
      <image:caption>Rehearsing “The Silver, the Black, the Wicked Dance” commissioned by LACMA, 2016. Chelsea Rector, Kensington Smith, Joe Seely, Zut Lorz, Philip Littell, Paul Outlaw and Margo Moss. Photo by Marianne Williams.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1460018388750-YOT1Y1K6F6S3KWJZCNA8/thecompanygridFINAL.jpg</image:loc>
      <image:title>The Company</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.gawdaffulnationaltheater.company/gawdaffulactorsfull</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038424342-OY47VYSJFH7J74BO3USI/balitonfranc.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>FRANC BALITON is a performance and installation artist who has written and performed numerous solo pieces including works with the Rachel Rosenthal Company with whom he toured for over a decade.  In addition to Gawdafful National Theater, he has worked with Empire of Teeth, the Fabulous Monsters, Keegan &amp; Lloyd among other theatrical and performance companies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1504640775192-P7B26BL5QPRG98PJRPTP/bonnabel_michael2017.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Recent appearances include the "ICELAND" Concert written and composed by O-Lan Jones and Emmett Tinley at The Ford Ampitheatre and Leslea Newman and Curtis Heard's "OCTOBER MOURNING" at the Long Beach Congregational Church. Ken Roht's "MISS JULIEN" at the MorYork Gallery and "SYNESTHESIA" at The Bootleg Theater. The Bootleg is also where Michael premiered his solo play THE GOOD BOY, which was then moved to the Los Angeles Theatre Center, and eventually had a successful Off-Broadway run at The Abingdon Theatre in New York. Other Ken Roht appearances include: "KEN ROHT'S 99c ONLY SAME-O, AN ELECTRIC BALLAD," "GROWING WITH GHOSTS," "CALENDAR GIRL COMPETITION 99c SHOW," and "ROUTE 99's ORANGE STAR DINNER THEATER SHOW." Robert Pryor's colorful Ovation winning adaptation of Lewis Carroll's Alice in Wonderland, "PROJECT: WONDERLAND." Productions at The Long Beach Opera Company, West Coast Ensemble, Tiffany Highways, Odyssey, The Colony, Theatre Forty and Meta Theaters. Film and TV appearances include "The Linguini Incident," opposite Marlee Matlin and David Bowie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038424351-UKFCW8HNED1HH4QIEDOI/bryantbryatt.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>GEORGES BRYATT BRYANT Reanimated from a sarcophagus launched into the sea from olden Kemet, Bryatt Bryant has been under the keep of el lay based artist identified handlers for the past five years. An incidental performer whose work is rooted in dance and disguise, he has featured in companion works at PIETER, REDCAT, and numerous dance/performance art venues.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038427927-7EQX0JYGPTV0V7A0Y5PN/carranzamariel.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>At eighteen years of age, Mariel Carranza came to the United States from Lima, Perú. Treating her body as material, Carranza works to detach from physical limitations. Her concerns with the transformation of living matter has led her to labor continuously on a number of art works as if tending to a living being. Surrendering to the course the materials take when left unfixed, her sculptural works challenge the notion of time limitations.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038437023-7XTULIK41HQ4HVMY49NC/fabbrochelle.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Rochelle Fabb is an award-winning performing artist as well as a producer and publicist working in theater, dance and art. Rochelle is the founder of Loudmouth Productions, an event production, PR/marketing and design firm for clients in the arts, and has designed and developed publicity and marketing campaigns for clients including Gilberto Girl, Eiko &amp; Koma, Kronos Quartet, Caetano Veloso, Pacha Massive, Rachel Rosenthal, Lita Alburquerque, Broadway Cares (Chess), Ford Ampitheatre, Japan America Theater, Watts Towers Arts Center and more. Rochelle produced the 3-D audio version of The Who's "TOMMY" with Nona Hendryx and Alice Ripley in Hollywood. She has taught and lectured at the Center for Cultural Innovation, California Institute of the Arts, School for the Museum of Fine Arts Boston, College of Santa Fe, the Institute for Studies in the Arts at Arizona State University, L.A. County Arts Commission, Highways Performance Space and 18th Street Arts Center, among other venues.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038434375-R6VP0ZII77PSACOCSGB6/gadsimone.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Born to holocaust survivor from Poland, my parents and I arrived to Boyle Heights from Brussels, Belgium where I am originally from. We emigrated via Ellis Island and were sponsored on the Quota System. My mother instantly got me into show-biz at the tender age of 4. I have a dual career, visual/performance artist and union actress-principal roles/all 3 unions. I am a Getty Museum Sponsored Pacific StandardTime Artist included in Lyn Kienholz's encyclopedia, L.A.Rising/So CAL Artists Before 1980. My works are documented in One Library LGBT Artists National Archives from the 1970s to current.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038443065-1K79SDF0UM1Q9K85JJNV/gjeltenarne.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Born and raised in St. Paul, Minnesota, Gjelten moved to Hollywood to become a star! Best known for freaking out in Fitz the The Tantrum's video "The Walker" and Pharrell Williams' "Happy", he has also worked with Peaches and Margaret Cho. In Asher Hartman's Purple Electric Play, he puppeteered an anxious bag of popcorn, a curious beaver, and played a pair of beautiful legs. Sure didn't need any puppets for those!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1459719939432-W8SAPKKJ5FSNHO8KSIST/hengstcliffCORRECT.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Cliff Hengst is an artist who lives and works in San Francisco. Through Mark Allen and Machine Project, he met Asher Hartman. From that point on, nothing has been the same. In October of 2015 he performed in "Mr. Akita", a play written and directed by Mr. Hartman, at the Tang Teaching Museum and Art Gallery in Saratoga Springs, N.Y. His hobbies include embroidery and collecting 12" singles. Cliff is heavily involved in the Bay Area tech industry and is currently working on an app for Rice-a-roni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038448551-OCSVLBAUZI8LVTE5PD7Z/kennellypatrick.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Patrick Kennelly is a cross-disciplinary practitioner who works in film/video, theater, performance and the visual arts. In his highly stylized and darkly surreal genre-infused works, Kennelly explores issues of social, cultural and personal identity and subjectivity. Kennelly’s 2012 creation, PATTY received 5 L.A. Weekly Theater Award nominations including "Best Musical." Kennelly was a recipient of the 2008 Princess Grace Award for Theater, and has received fellowships and grants from the City of Los Angeles Department of Cultural Affairs, the City of Santa Monica, and the Center for Cultural Innovation. Kennelly is Co-Artistic Director at Highways Performance Space, as well as serving on their board of directors. He is the founder and producer of U-N-M-A-R-K E-D, a project dedicated to live and remote Outer-disciplinary spectacle, horror, glamour, and social justice. Kennelly's most recent projects included the experimental short-form documentary video ten minutes is two hours, shot in South Sudan (distributed by OneCloudEntertainment); a music video for the single "Body &amp; Blood" off of noise-rap group Clipping.'s debut album on the SubPop label; and the feature film Excess Flesh, premiering at SXSW in March 2015. For updates go to:  http://www.patrickkennellyunmarked.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038451054-Q188N570L4BAQL2BCXL0/kuilandnazario.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Marcus Kuiland-Nazario is an artist, curator, producer, and veteran of the LA art and performance scene. Kuiland-Nazario is a founding artist of Viva! (the nation's first Latino Gay and Lesbian Arts Organization), The 18th Street Arts Center, Highways Performance Space, and Clean Needles Now. He curated Pop Tarts - Los Angeles' longest running performance laboratory for 14 years. His performance works have been included in national and international festivals, such as the Institute of Contemporary Art in London, England; the Centro de Bellas Artes, in San Juan, Puerto Rico and El Patio De Mi Casa, Puerto Vallarta, Mexico. Kuiland-Nazario has been a lecturer and guest teacher at numerous institutions, including Otis College of Art and Design, UCLA, Beyond Baroque Literary Foundation, Cal State University Northridge and Rensselear Polytechnic Institute. Recently, Kuiland-Nazario returned to the United States after spending time in Puerto Vallarta, Mexico, co-founding Oficina de Proyectos Culturales, a non-profit contemporary art center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1459718503954-8ULI2SCRO13ZFH4NC989/littellphilipCORRECT.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Philip Littell Is often Misspelled. Misplaced, Misbegotten, The top And the bottom. An actor and playwright And singer and clown, Sometimes he's up- But mostly down-town. His work has filled nightclubs And places called "spaces", All manner of theaters And opera stages. A Gawdafful Player To the Depth of his Core, He leaps to his feet Clapping, shouting "ENCORE!".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1460017680768-MZLZ2J1BCH7VJ9XDMZPP/lorszutCORRECT.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Zut Lors, born in Carrolton, Georgia and raised in Los Angeles, has worked with Asher Hartman since 2010. Trained as a visual artist, Zut’s work centers around American identity, hyphenation, power of audience, complications of language, and the spaces in between the spoke and unspoken.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038464777-KQ5ICG0AJCNRRDZ9TJJB/morrisseymichael.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>MICHAEL MORRISSEY has been performing for 35 years in various venues across the US and internationally.  He was a founding member of Al’s National Theatre at Al’s Bar in Los Angeles and a former member of the Rachel Rosenthal Company with whom he has toured extensively.  Michael has performed with Empire of Teeth, Bottom’s Dream, The Fabulous Monsters and Gawdafful National Theater.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1459718033801-WXTKG2V3YKCH2IBUMO2G/orpillajasmine2.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Jasmine has had the honor and utter joy of performing with Gawdafful National Theater under the direction of Asher Hartman since 2010, as a singer, musical composer, dancer and actor. In the words of Asher Hartman: "Jasmine Orpilla gives me something I’ve always sought in theatre: danger.  Theatre is not safe. You can hope, but it is not safe.  It’s live.  Humans feel, and feeling human beings are dangerous.  When someone’s on fire, you can freeze; you can run; you can try to help; or you can observe. Jasmine allows us to watch a blaze from its ignition to death.  She allows us to contemplate terror-- that feeling of being consumable, alive and then not, absent and forgotten, while we sit in the dark unharmed.  She takes me to the precipice then snaps me back with a shrug..." For Jasmine's artistic adventures throughout the world in performance, media and television:www.ninjamamalickum.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1504641293402-NAUEAPYB75MASP86JP71/outlaw_paul2017.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Paul Outlaw is a Los Angeles-based experimental theater artist. His internationally acclaimed solo and group works include collaborations with Asher Hartman/Gawdafful National Theater, media artist Carole Kim, electronic music composter Carl Stone, theater director Anne Bogart, experimental hip hop trio clipping. and choreographer Rosanna Gamson, with work presented in Los Angeles at/by REDCAT, Broad Museum, Bootleg Theater, LACMA, Machine Project, LACE, Hammer Museum, Highways Performance Space, Skirball Cultural Center and the Getty. The performance script of Outlaw's Berserker, along with a critical essay and interview, was published in 2016 in the anthology Blacktino Queer Performance. The film Schwarzfahrer, starring Outlaw, won the Oscar for Best Live Action Short at the 66th Academy Awards. Outlaw was awarded a 2012 COLA (City of Los Angeles) Individual Artist Fellowship, awarded to mid-career artists "who dedicate themselves to an ongoing body of excellent work, garner respect from their peers, and serve as role models for other artists." outlawplay.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038475164-NHYAK4QMJ5GWCNT6M9JF/rectorchelsea.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Chelsea Rector writes and teaches about art, with an MFA in Visual Art from the University of California, Riverside. She keeps poems here: www.crimpingiron.tumblr.com. Chelsea inhabits the theater, as a player in Los Angeles' own Gawdafful National Theater Company, and performs with Caitlin Adams' Dynasty Center Dance Project. In 2009 Chelsea began a long-term holiday music project, True Holiday Classic (Vol. I-III), while other original vocal and instrumental music is heard on her 2013 cassette, Popular American Song. In 2015 Chelsea co-formed BEST FRIENDS, an experimental movement and performance ensemble based in Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1459215208605-9J5VX0HSY6VGIIJ3GV1D/seelyjoe.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Joe Seely is an Actor/Director and a fan of ballet. He acts professionally in film, television and has won awards for his work on stage as an Actor and Designer. He has many hats, multiple identities, but only one head. He was even nominated for a Lester Horton Award though he dare not deign to call himself a dancer. He often works with Asher Hartman, this foray (The Silver, the Black, the Wicked Dance) being his sixth, and has no plans to stop. He makes masks, puppets and writes in secret. He talks to everything that doesn’t talk back, audibly. He has made masks and puppets for the Center Theater Group, The Aspen Santa fé Ballet, and The Winston Salem Festival Ballet. He is currently working with Emily Mast on “The Stage is a Cage” as an actor/designer. Check out &lt;joemakesmasks.com&gt;</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038475404-J6WHUPXPS2J7GPDWL8RM/smithkensington.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>Kensington products are easy to use, intuitive &amp; enable increased productivity. We offer a range of thoughtfully designed, engineered and crafted containers from formal to country—to enhance your contract or residential landscape. Our goal is to work closely with our clients to determine and create an environment that is a reflection of their needs - whether it is a single room or an entire large scale project. We believe in open communication as a key to achieving your desired results. And we pride ourselves on meeting budget and scheduling requirements.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038483318-NG09UTG4HLPOJO973B3Q/ungkalean.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>KALEAN UNG was thrilled to wreck havoc as the Vital Organ in Asher Hartman's "Purple Electric Play" at Machine Project. She has performed all over Los Angeles in such theaters as The Kirk Douglas Theatre, Theatre @ Boston Court, REDCAT, Highways Performance Space, and The Getty Villa. Her recent LA credits include: Desdemona in "Othello" with Independent Shakespeare Co. (ISC), "Paul Sand Presents: Kurt Weill at the Cuddlefish Hotel," The Actors' Gang, "The Temptation Of St. Antony" with Four Larks Theatre (2015 Ovation Award for Best Ensemble), Marina in "Pericles" and Viola in "Twelfth Night" with ISC, "Prometheus Bound" with CalArts Center for New Performance/ Getty Villa and "Alcestis" with Critical Mass Performance Group/Theatre @ Boston Court. She received her MFA in Acting from CalArts and her BM in Vocal Performance from UCSC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1459749430868-DJQAJIDNKWM1AWTP7TQP/wujohnCORRECT.png</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
      <image:caption>John Wu is a visual artist. His works explore how language and image work as interdependent systems of representation. Using the gap between image and its text to create a form of communication that brings joy and extraordinary factors into everyday life. John Wu received his BFA in Art at Art Center College of Design, and he is getting his MFA in Photo/Media at Calarts.  johnzwu.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457037001075-PWE7L0MMR2UF88CDZ8W7/pagetopbanners_actors.jpg</image:loc>
      <image:title>The Company: Actors (FULL)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.gawdaffulnationaltheater.company/gawdaffulcreatives</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038187110-SFE6OVRH3NR69ONNEJWT/allenmark.png</image:loc>
      <image:title>The Company: Creatives</image:title>
      <image:caption>Occasional Dramaturge and Emotional Scaffolding (ODES) Mark Allen is an artist, educator and curator based in Los Angeles and the founder and executive director of Machine Project. Under his direction Machine has produced over 1000 events, workshops and installations and has worked with the Hammer Museum at UCLA, the Los Angeles County Museum of Art, the Museum of Contemporary Art in Denver, the Contemporary Art Museum St Louis, and the Walker Museum in Minneapolis. Mark received his MFA in Visual Art from the California Institute of the Arts and is an Associate Professor of Art at Pomona College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1459870147871-JMBC1L1VX6P2KT9WPJYU/bechtlewinona.png</image:loc>
      <image:title>The Company: Creatives</image:title>
      <image:caption>Stage Manager Winona Bechtle is an arts professional in the process of completing her Master's in Arts Management at Claremont Graduate University. She is currently working with ForYourArt and Los Angeles Filmforum, and has called Los Angeles home for 23 years.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1459700651050-PHYZFSGMR0B6INP1L4R0/byersgamberian.png</image:loc>
      <image:title>The Company: Creatives</image:title>
      <image:caption>Documentarian Ian Byers-Gamber is an artist adjacent, working to create beautiful and effective documentation with both moving and still images. www.ianbyersgamber.com</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038183794-XPU6FXMATPDL0FWVBHXZ/candelariachris.png</image:loc>
      <image:title>The Company: Creatives</image:title>
      <image:caption>Sound Supervision &amp; Bass Guitarist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038193513-7H62BSO4U0YWP5HDDERQ/faragherkristina.png</image:loc>
      <image:title>The Company: Creatives</image:title>
      <image:caption>Kristina Faragher has exhibited works of art individually and collaboratively in a host of media, including, video, performance, painting and installation. Selected venues and festivals include: Hammer Museum, Los Angeles. ARCOmadrid's 29th International Art Fair, Spain, The Oakland Museum, Oakland, CA, The Autry National Center, Los Angeles, The REDCAT Theater, Los Angeles, Shoshona Wayne Gallery, Santa Monica, Track 16 Gallery, Santa Monica, Highways Performance Space and Gallery, Santa Monica, SITE Santa Fe, Santa Fe, New Mexico, LA Freewaves Ninth Annual International Media Festival, Los Angeles, The Berkeley Video and Film Festival, Berkeley, CA. The Fifth Festival International de la Image in Colombia, South America, Pixel Pops Short and Fast, Scotland, Orkney Islands, UK. The Museum of Contemporary Art in Minsk, Belarus. Faragher received an M.F.A. degree in 2001 from Claremont Graduate University in Claremont, CA.  Selected Publications:  Candida Smith Richard, Art and the Performance of Memory, Sounds and Gestures of Recollection Routledge, August 2, 2002 Scott, Amy. Yosemite Art of an American Icon. UC Berkeley Press, 2006. Faragher, Kristina. Interview with Paul Karlstrom, Smithsonian Institution’s Archive of American Art, 2002 Faragher, Kristina. Interview with Christopher Miles, LA Invisible Cities, Madrid, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1459215317531-7JHZOZEKEKLYHEZ6CWOT/guidrycarol.png</image:loc>
      <image:title>The Company: Creatives</image:title>
      <image:caption>Choreographer Carol Guidry brings a rich and varied performance background to her teaching:  A soloist with the Minnesota Dance Theatre where she was featured in works by George Balanchine, Sir Fredrick Ashton, Glen Tetley, Eugene Loring and José Limon. She also had the pleasure of working personally with Donald Byrd (The Group, The Color Purple) on several projects during that time.  She danced eight years in Germany with the Heidelberg City Ballet and the Gelsenkirchner Musiktheater im Revier where she also set several pieces of her choreography.  Upon returning to the U.S., Ms. Guidry danced for Toni Basil, choreographed productions for the Mark Taper Forum and the Ford Theater, and performed regularly with the Los Angeles Chamber Ballet. In addition to her experience teaching ballet for nearly 2 decades, Ms. Guidry holds an Advanced 2 Certificate from the Royal Academy of Dancing in London, is certified in Pilates by Long Beach Dance Conditioning and the Physical Mind Institute, is a Level 3 Franklin Method instructor, and Artistic Director / Co-founder of the Santa Clarita Ballet.  Her former students have gone on to the Joffrey Ballet, Washington Ballet, Dresden Semper Oper Ballet, and Grand Rapids Ballet companies; and the San Francisco Ballet, Pacific Northwest Ballet and Los Angeles Ballet Trainee Programs.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038193861-UL29IIJ8W67YAL5W8ERN/lemiuexcurt.png</image:loc>
      <image:title>The Company: Creatives</image:title>
      <image:caption>Artist, aka Lemon Ox, aka Mac Phisto Curt LeMieux has worked with Asher Hartman since the early 2000’s. He first appeared in Hartman’s work as the elephant man in the film and stage production of Phant. The duo went on to create The Girl Was Saved at LACE in 2003 and The Murder of Becky in 2005 at Track 16. LeMieux has served as a creative consultant for Gawdafful National Theatre since the company’s inception. His sculptural costumes and other objects have appeared in several notable works including Annie OK in 2010 and The All Stars of Non-Violet Communication in 2011. Curt LeMieux is an accomplished artist in his own rights. Please browse his website for more info: www.curtlemieux.com.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038200644-Y9KGEXH9NOSHSE84RN8U/mcdowellcarol.png</image:loc>
      <image:title>The Company: Creatives</image:title>
      <image:caption>Choreographer Carol McDowell is an interdisciplinary dance artist and educator. Born in California and raised in Hawaii, she fell in love with modern dance while studying with Betty Jones. Since then, McDowell has danced Kei Takei’s Light, Jack Moore’s Four Songs, Pooh Kaye’s Active Graphics, Barbara Dilley’s Naked Face, Tim Miller’s Cost of Living, and most recently Victoria Mark’s Medium Big Inefficient Considerably Imbalanced Dance. Her own work has been presented at the 2013 Los Angeles Improvisational Dance Festival, Craftswoman House, Skirball Cultural Center, Sweeney Art Gallery, Anatomy Riot, Highways Performance Space, The Kitchen, Dance Theater Workshop, Performance Space 122, and abroad in Indonesia. Grants and artist residencies have come from Hothouse/UCLA, Indonesian Dance Festival, National Dance/Media Fellowship, APPEX, Djerassi Foundation, Colorado Arts Council, Aesthetic Education Institute of Colorado, Jerome Foundation, DIA Art Foundation, and Hawaii Department of Education. Recent collaborations include projects with performance artist Mariel Carranza, Jerri Allen &amp; Inez Bush’s “Debating through the Arts,” and choreography for Asher Hartman’s “Annie Okay” present by Machine Project at the Hammer Museum. McDowell is completing her PhD in Culture and Performance at UCLA. A celebrated lighting designer and grassroots arts advocate, McDowell co-founded max 10 Performance Laboratory at the Electric Lodge, co-curated Crazy Space, and served as a guest curator for two year long series: Instruments of Risk at Sea and Space Explorations and A Little Louder: Performance in Conversation at Kristin Engle Gallery. She teaches dance studies, world dance histories, composition, improvisation, repertory, and yoga at CSULB, Rio Hondo College, and West LA College, and has been a guest artist at Pomona College and Bennington College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038204062-2EVP5UQEFME9BF2P4ZUF/mossmargot.png</image:loc>
      <image:title>The Company: Creatives</image:title>
      <image:caption>Producer, Filmmaker, Choreographer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1504640914543-5IUNAMQMJDX3NK5IEN4U/tanaka_haruko2017.png</image:loc>
      <image:title>The Company: Creatives</image:title>
      <image:caption>Haruko has been a proud member of Gawdafful National Theater since its beginning. She started in the gawdafful mailroom and quickly made her way through the ranks doing everything from gawdafful P.R. P.R., gawdafful graphic design, gawdafful videography, gawdafful photography, gawdafful craft services, gawdafful seamstressing,  gawdafful background singing, gawdafful stage managing, and gawdafful assistant directing. Today, she holds the title of “Gawdafful Psychic Aide to the Gawdafful Director” and is the designer and creator of this gawdafful website. www.kissoftheworld.net www.krystalkrunch.com</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Company: Creatives</image:title>
      <image:caption>Rossen Ventzislavov is a philosopher extraordinaire, natural born critic, occasional performance artist and frontier explorer of the Los Angeles cultural wilderness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457038216044-HDC427E451L13X6EAGZZ/wrenchlucas.png</image:loc>
      <image:title>The Company: Creatives</image:title>
      <image:caption>Dramaturino Lucas Wrench, alias Chance Happenstance, is an artist currently employed as Associate Curator at Machine Project in Echo Park.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1457037170878-K8HIO68W41J7UI4A1UT0/pagetopbanner_creatives.jpg</image:loc>
      <image:title>The Company: Creatives</image:title>
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    <lastmod>2016-03-29</lastmod>
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      <image:title>The Dope Elf (2019/2020) FULL - Zut Lorz, Philip Littell and Joe Seely</image:title>
      <image:caption>Lorz, Littell and Joe Seely in sets by Brian Getnick, Nic Gaby, and Joe Seely.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1569391166235-FCK4SGUSM15TJ0TAP29X/IBG_9901.jpeg</image:loc>
      <image:title>The Dope Elf (2019/2020) FULL - Trulee Hall's Dope Elf house</image:title>
      <image:caption>Trulee Hall’s masterful abode created for The Dope Elf.</image:caption>
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      <image:title>The Dope Elf (2019/2020) FULL - The Magician's house by Nic Gaby</image:title>
      <image:caption>Nic Gaby’s home for The Magician played by Joe Seely, built of dozens specially created rectangular structures, light, found materials, with Joe's magic table.</image:caption>
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      <image:title>The Dope Elf (2019/2020) FULL - Michael Bonnabel and Paul Outlaw</image:title>
      <image:caption>Michael Bonnabel in one of Alfred’s alter ego with Paul Outlaw’s Cornhen playing his alter Dirk, the actor.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1d3f8e4b09cb248808fc1/1569391223147-LJ4B8RSNK7DIL9F8J4AF/IBG_9739.jpg</image:loc>
      <image:title>The Dope Elf (2019/2020) FULL - Michael Bonnabel and Paul Outlaw</image:title>
      <image:caption>Michael and Paul as seen through Aubree Lynn’s set.</image:caption>
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      <image:title>The Dope Elf (2019/2020) FULL - Jacqueline Wright as The Dope Elf</image:title>
      <image:caption>Jacqueline Wright as The Dope Elf in the sequence “Bodysnatch Lane.”</image:caption>
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      <image:title>The Dope Elf (2019/2020) FULL - Alfred and John frightened by Gingy</image:title>
      <image:caption>Michael Bonnabel and Philip Littell are frightened by their neighbor Gingy the Troll played by Zut Lorz, rolling toward them in her crib home by Brian Getnick.</image:caption>
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      <image:title>The Dope Elf (2019/2020) FULL - The Dope Elf capes</image:title>
      <image:caption>Capes designed by Brian Getnick, built by Getnick and Nikii Henry.</image:caption>
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      <image:title>The Dope Elf (2019/2020) FULL - Michael Bonnabel as Alfred</image:title>
      <image:caption>Michael Bonnabel as King Elf, Alfred, costume by Brian Getnick.</image:caption>
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      <image:title>The Dope Elf (2019/2020) FULL - The Littell Man</image:title>
      <image:caption>Philip Littell as the dangerous American salesman, The Little Man.</image:caption>
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      <image:title>The Dope Elf (2019/2020) FULL - Joe Seely as The Magician</image:title>
      <image:caption>Joe Seely as The Magician in costume Brian Getnick and Sofia Benito.</image:caption>
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      <image:title>The Dope Elf (2019/2020) FULL - Gingy and The Dog</image:title>
      <image:caption>Philip Littell as the hellhound aspect of his character John and Zut Lorz as The Troll.</image:caption>
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      <image:title>The Dope Elf (2019/2020) FULL - Jacqueline Wright as The Dope Elf</image:title>
      <image:caption>Jacqueline Wright as the elf in her natural habitat of urban corn.</image:caption>
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      <image:title>The Dope Elf (2019/2020) FULL</image:title>
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      <image:title>The Lost Privilege Company FULL</image:title>
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      <image:title>The Lost Privilege Company (2018)</image:title>
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    <lastmod>2022-04-16</lastmod>
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      <image:title>Gawdafful Films - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Organized Around the Erotics of Doing You In (2021)</image:title>
      <image:caption>Joe Seely. Photo by Deanna Hubartt</image:caption>
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      <image:title>Organized Around the Erotics of Doing You In (2021)</image:title>
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      <image:title>Organized Around the Erotics of Doing You In (2021)</image:title>
      <image:caption>Paul Outlaw and Jasmine Orpilla. Photo by Deanna Hubartt.</image:caption>
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      <image:title>Organized Around the Erotics of Doing You In (2021)</image:title>
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      <image:title>Organized Around the Erotics of Doing You In (2021)</image:title>
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      <image:title>Organized Around the Erotics of Doing You In (2021)</image:title>
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      <image:title>It's Better to Start Out Ugly (2023) - Make it stand out</image:title>
      <image:caption>José Luis Blondet at Tony Sebastiano in “It’s Better to Start Ugly,” at The Lab, San Francisco, May 18-20, 2023</image:caption>
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      <image:title>It's Better to Start Out Ugly (2023)</image:title>
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      <image:title>The Lost Privilege Company (Copy)</image:title>
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    <lastmod>2026-01-07</lastmod>
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      <image:title>Blessed with Switch (2024-2025) - Jasmine Orpilla performs Blessed with Switch</image:title>
      <image:caption>Written and directed by Asher Hartman in collaboration with Jasmine Orpilla, Blessed with Switch, a meditation on language at it hacks at the feminine insides, had its French premier at Centre Pompidou at Liv®e Live. Post-performance Future.Method/e in celebration of Marie de Brugerolle’s fantastic new book of the same name. Blessed with Switch had its American premier as part of UCI’s The Art of Performance, 2024. Jasmine Orpilla recently performed Blessed at PICA’a TBA 2025. We look forward to presented the film of this piece shot with Anna Wittenberg in 2025 with the help of a grant from LAPP. We also look forward to performing Blessed with Switch at ICA/LA in 2026! You can also read about the text and the performance at the Georgia Review with an introduction by Martin Harries here and in the winter issue 2025 of Mimesis Magazine here. Read Danielle Ross’ review of Blessed with Switch at The Performance Art Museum. Photo by Ian Byers-Gamber</image:caption>
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      <image:title>The Mommy Leaks the Floor (2025)</image:title>
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      <image:title>The Mommy Leaks the Floor (2025)</image:title>
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      <image:title>The Mommy Leaks the Floor (2025)</image:title>
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      <image:title>The Mommy Leaks the Floor (2025) - The Mommy Leaks the Floor New Theater Hollywood, 2025</image:title>
      <image:caption>Asher Hartman in sculpture by Olivia Mole. Photograph by Danielle Neu. Photographs in Gallery by Priyanka Ram and Danielle Neu/.</image:caption>
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